The thing is it was a refreshing change when it came out. I thought it was the funniest movie I’d seen in years, bought the DVD when it came out thinking it was still great then when I tried watching it again a year later and it completely lost it’s luster. It’s like Juno, that one movie was great for a change of pace in an otherwise stale genre
IDK, I didn’t really buy into the hype of either film at the time so when I eventually saw them on DVD, I was disappointed of course. Individual scenes in Napoleon Dynamite were entertaining on their own merits and highly quotable, but the film barely had a cohesive plot and felt more like a series of comedy sketches stringed together rather than a proper movie.
Juno was terrible thanks to the dialog alone. IDK who wrote that script (and don’t care to look it up), but it was some of the most unrealistic dialog I’ve ever heard in a piece of media. Everyone talks like robots and always has the perfect quirky comeback anytime anyone says something. The only person in that film who spoke like a human being was Michael Cera, but every scene with him in it was insufferable because he’s Michael Cera.
Diablo Cody was the writer of Juno, and I only know it because she became a hot commodity after the breakout success of Juno. And she had a middling hit with Jennifer’s Body but hasn’t done anything of note since.
Meanwhile whomever did Napoleon Dynamite was getting offers left and right, and his followup Nacho Libre was a dud because they were banking on the same success of ND but starring Jack Black. Jon Heder got a bunch of offers, including that skating movie with Will Ferrell but I think he kinda just fizzled out
I rewatched Napoleon Dynamite last week and it holds up well IMO. So, not that.
The thing is it was a refreshing change when it came out. I thought it was the funniest movie I’d seen in years, bought the DVD when it came out thinking it was still great then when I tried watching it again a year later and it completely lost it’s luster. It’s like Juno, that one movie was great for a change of pace in an otherwise stale genre
IDK, I didn’t really buy into the hype of either film at the time so when I eventually saw them on DVD, I was disappointed of course. Individual scenes in Napoleon Dynamite were entertaining on their own merits and highly quotable, but the film barely had a cohesive plot and felt more like a series of comedy sketches stringed together rather than a proper movie.
Juno was terrible thanks to the dialog alone. IDK who wrote that script (and don’t care to look it up), but it was some of the most unrealistic dialog I’ve ever heard in a piece of media. Everyone talks like robots and always has the perfect quirky comeback anytime anyone says something. The only person in that film who spoke like a human being was Michael Cera, but every scene with him in it was insufferable because he’s Michael Cera.
Diablo Cody was the writer of Juno, and I only know it because she became a hot commodity after the breakout success of Juno. And she had a middling hit with Jennifer’s Body but hasn’t done anything of note since.
Meanwhile whomever did Napoleon Dynamite was getting offers left and right, and his followup Nacho Libre was a dud because they were banking on the same success of ND but starring Jack Black. Jon Heder got a bunch of offers, including that skating movie with Will Ferrell but I think he kinda just fizzled out
Some movies only hit on the first watch. Once you know the gags, twists or ending its just “Yeah Ok.”
I hadn’t seen it until this year; it held up well, but the peak for me was the jumpcuts while they talk about Pedro’s bike
Nothing left for me to do but dance.
Bow to your Sensei!