Firstly, they’ll repair and/or make any guitar look better. It’s their job so they’ll do it. Secondly and more importantly, it isn’t about if the guitar is damaged or not. It was clearly loved for what it was, it was probably more about the history of it than anything else.
It’s really not hard to not fuck with other peoples stuff without their consent. And it’s real sad that people like you exist that don’t seem to understand that.
It absolutely is about whether the guitar was damaged or not, that’s extremely relevant information and you’re trying to disregard it because that’s the only way you have any chance of not sounding like a complete fucking moron
I’ve got a guitar with a damaged mid pickup, I picked it up for a song, it roughs up the sound something bad, but the thing is that for what I use it to play that roughness helps give me the tone I’m looking for. I have an old Crate amp that inches closer to the end with every session, and its garbled death rattles add precisely what I want to the sound.
Standardization is for hacks. You don’t get to decide what other people are looking for out of their art.
I haven’t played an actual instrument in decades, got a lot of musician friends though and I do still play with audio software. You can get any tone in existence with fully repaired and properly functioning equipment if you’re halfway competent, this is cope. Get good and fix your shit.
There’s not enough context here to say that with any certainty. If husband was playing it and enjoying it, then it’s doing the job it needs to. Even if it was actually broken and actually fixed, it still changes the relationship between player and instrument and could’ve easily taken away earned character as a way to make it look “nice”
I don’t have a lot of sympathy for the idea of damage as character or lack of maintenance for a musical instrument as an aesthetic decision rather than just a bad decision, but you’re right about there not being enough information
I don’t even mean monetary value (though that’s also true, you don’t refinish a vintage guitar because you halve the selling price), but the historical value and sentimental value and enjoyment value. It’s a record of the time he’s put in on it and the dedication to this instrument. That means something, more than “fixing” it ever could.
Willie did try taking it to a repair shop one time when his regular luthier was unavailable. They refused to touch it, because they were afraid of fixing something that shouldn’t be fixed.
Clearly a professional agreed that it didn’t just look rough, the shit was damaged
Firstly, they’ll repair and/or make any guitar look better. It’s their job so they’ll do it. Secondly and more importantly, it isn’t about if the guitar is damaged or not. It was clearly loved for what it was, it was probably more about the history of it than anything else.
It’s really not hard to not fuck with other peoples stuff without their consent. And it’s real sad that people like you exist that don’t seem to understand that.
It absolutely is about whether the guitar was damaged or not, that’s extremely relevant information and you’re trying to disregard it because that’s the only way you have any chance of not sounding like a complete fucking moron
I’ve got a guitar with a damaged mid pickup, I picked it up for a song, it roughs up the sound something bad, but the thing is that for what I use it to play that roughness helps give me the tone I’m looking for. I have an old Crate amp that inches closer to the end with every session, and its garbled death rattles add precisely what I want to the sound.
Standardization is for hacks. You don’t get to decide what other people are looking for out of their art.
And just for posterity, what do you play?
I haven’t played an actual instrument in decades, got a lot of musician friends though and I do still play with audio software. You can get any tone in existence with fully repaired and properly functioning equipment if you’re halfway competent, this is cope. Get good and fix your shit.
“My friends play music, so I know better than you.”
Douche.
I’m right and you know it, get good and fix your shit clown
Cope
.ml in a nutshell
Lol cope
I don’t need to, I have a good life and I’m happy. I hope yours gets better.
You do and are
There’s not enough context here to say that with any certainty. If husband was playing it and enjoying it, then it’s doing the job it needs to. Even if it was actually broken and actually fixed, it still changes the relationship between player and instrument and could’ve easily taken away earned character as a way to make it look “nice”
I don’t have a lot of sympathy for the idea of damage as character or lack of maintenance for a musical instrument as an aesthetic decision rather than just a bad decision, but you’re right about there not being enough information
So you think Willie Nelson should replace the top on Trigger?
Sure, why not
Because it’s more valuable as is
I don’t even mean monetary value (though that’s also true, you don’t refinish a vintage guitar because you halve the selling price), but the historical value and sentimental value and enjoyment value. It’s a record of the time he’s put in on it and the dedication to this instrument. That means something, more than “fixing” it ever could.
I think they will ask you if it was damaged…
Willie did try taking it to a repair shop one time when his regular luthier was unavailable. They refused to touch it, because they were afraid of fixing something that shouldn’t be fixed.